On Saturday the first of the Reading Art talks took place at BMAG, given by Maria Cohut, a doctoral candidate at the University of Warwick. I can’t possibly do justice to Maria’s talk in a blog post, but she explored the poem and the paintings which it inspired in a way which really encouraged me to think about the interpretative gap between poetry and paintings – something that Tennyson himself was well aware of, in his criticisms of the illustrations for the Moxon Tennyson, which he often felt weren’t sufficiently close to the details of the poem. For Tennyson, poetry was the defining art, then (as well as the first chronologically) and thus images inspired by it should be faithful to it. But for the painters inspired by the poem, their art was inextricably linked to that of the poet, but nonetheless separate; their own interpretation was significant to them. Maria’s readings of the poem and paintings bridged this interpretative gap creatively – and made me think about the Lady’s hair in a whole new light! Below are some of the images she discussed – some more familiar than others.